The photoplay; a psychological study (1916)

Page scan 000129 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000129
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY rangements tell the story of the intimate emo- tion. But just this additional expression of the feeliag through the medium of the sur- roimding scene, through background and set- ting, through lines and forms and movements, is very much more at the disposal of the photoartist. He alone can change the back- ground and all the surroundings of the acting person from instant to instant. He is not bound to one setting, he has no technical dif- ficulty in altering the whole scene with every smile and every frown. To be sure, the theater can give us changing sunshine and thunderclouds too. But it must go on at the slow pace and with the clumsiness with which the events in nature pass. The photoplay can flit from one to the other. Not more than one sixteenth of a second is needed to carry us from one comer of the globe to the other, from a jubilant setting to a mourning scene. The whole keyboard of the imagination may be used to serve this emotionalizing of nature. There is a girl in her little room, and she opens a letter and reads it. There is no need of showing us in a close-up the letter page with the male handwriting and the words of love and the request for her hand. We see 320