The photoplay; a psychological study (1916)

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EMOTIONS it in her radiant visage, we read it from her fascinated arms and hands; and yet how much more can the photoartist tell ns about the storm of emotions iu her soul. The walls of her little room fade away. Beautiful hedges of hawthorn blossom around her, rose bushes in wonderful glory arise and the whole ground is alive with exotic flowers. Or the young artist sits in his attic playing his vio- lin ; we see the bow moving over the strings but the dreamy face of the player does not change with his music. Under the spell of his tones his features are immovable as if they were staring at a vision. They do not speak of the changing emotions which his melodies awake. We cannot hear those tones. And yet we do hear them: a lovely spring landscape widens behind his head, we see the valleys of May and the bubbling brooks and the yoimg wild beeches. And slowly it changes into the sadness of the autumn, the sere leaves are falling around the player, heavy clouds hang low over his head. Sud- denly at a sharp accent of his bow the storm breaks, we are carried to the wildness of rugged rocks or to the raging sea; and again comes tranquillity over the world, the little 121