The photoplay; a psychological study (1916)

Page scan 000132 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000132
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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EMOTIONS into tlie moving pictures. Just here was the center of our interest, because it showed that uniqueness of the means with which the photoplaywright can work. If we want to shape the question now ia the same way, we ought to ask how it is with the emotions of the spectator. But then two different groups of cases must be distinguished. On the one side we have those emotions in which the feelings of the persons in the play are transmitted to our own soul. On the other side, we find those feelings with which we respond to the scenes in the play, feelings which may be entirely different, perhaps exactly opposite to those which the figures in the play express. The first group is by far the larger one. Our imitation of the emotions which we see expressed brings vividness and affective tone into our grasping of the play's action. "We sympathize with the sufferer and that means that the pain which he expresses becomes our own pain. We share the joy of the happy lover and the grief of the despondent mourn- er, we feel the indignation of the betrayed wife and the fear of the man in danger. The visual perception of the various forms of ex- pression of these emotions fuses in our mind 9 133