The photoplay; a psychological study (1916)

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000137
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY of the crank. It is the same street scene, and yet in the one case everyone on the street seems leisurely to saunter along, while in the other case there is a general rush and hurry. Nothing is changed but the temporal form; and ia going over from the sharp image to the blurring one, nothing is changed but a certain spatial form: the content remains the same. As soon as we give any interest to this for- mal aspect of the presentation, we must recognize that the photoplaywright has here possibilities to which nothing corresponds in the world of the stage. Take the case that we want to produce an effect of trembling. "We might use the pictures as the camera has taken them, sixteen in a second. But in re- producing them on the screen we change their order. After giving the first four pictures we go back to picture 3, then give 4, 5, 6, and return to 5, then 6, 7, 8, and go back to 7, and so on. Any other rhythm, of course, is equal- ly possible. The effect is one which never oc- curs in nature and which could not be pro- duced on the stage. The events for a moment go backward. A certain vibration goes through the world like the tremolo of the or- 128