The photoplay; a psychological study (1916)

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EMOTIONS chestra. Or we demand from our camera a still more complex service. We put the camera itself on a slightly rocking support and then every point must move in strange curves and every motion takes an uncanny whirling character. The content still remains the same as under normal conditions, but the changes in the formal presentation give to the mind of the spectator unusual sensations which produce a new shading of the emotional background. Of course, impressions which come to our eye can at first awaken only sensations, and a sensation is not an emotion. But it is well known that in the view of modem physio- logical psychology our consciousness of the emotion itself is shaped and marked by the sensations which arise from our bodily or- gans. As soon as such abnormal visual im- pressions stream into our consciousness, our whole background of fusing bodily sensations becomes altered and new emotions seem to take hold of us. If we see on the screen a man hypnotized in the doctor's office, the pa- tient himself may lie there with closed eyes, nothing in his features expressing his emo- tional setting and nothing radiating to us. 129