The photoplay; a psychological study (1916)

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THE PURPOSE OF ART jesthetio satisfaction or dissatisfaction. We have omitted them intentionally, because tlie study of this group of feelings involves a dis- cussion of the esthetic process as such, and ■we have left all the esthetic problems for this second part of our investigation. If we disregard this pleasure or displea- sure in the beauty of the photoplay and reflect only on the processes of perception, attention, interest, memory, imagination, suggestion, and emotion which we have analyzed, we see that we everywhere come to the same result. One general principle seemed to control the whole mental mechan- ism of the spectator, or rather the relation between the mental mechanism and the pic- tures on the screen. We recognized that in every case the objective world of outer events had been shaped and molded until it became adjusted to the subjective movements of the mind. The mind develops memory ideas and imaginative ideas; in the moving pictures they become reality. The mind concentrates itself on a special detail in its act of atten- tion ; and in the close-up of the moviiig pic- tures this inner state is objectified. The jnind is filled with emotions; and by means 135