The photoplay; a psychological study (1916)

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THE PHOTOPLAY But can tlie claim that art imitates nature or rather that imitation is the essence of art be upheld if we seriously look over the field of artistic creations? Would it not involve the expectation that the artistic value would be the greater, the more the ideal of imitation is approached? A perfect imitation which looks exactly like the original would give us the highest art. Yet every page in the history of art tells us the opposite. We admire the marble statue and we despise as inartistic the colored,wax figures. There is no difficulty in producing colored wax figures which look so completely like real persons that the vis- itor at an exhibit may easily be deceived and may ask information from the wax man lean- ing over the railing. On the other hand what a tremendous distance between reality and the marble statue with its uniform white sur- face! It could never deceive us and as an imitation it would certainly be a failure. Is it different with a painting? Here the color may be quite similar to the original, but un- like the marble it has lost its depth and shows us nature on a flat surface. Again we could never be deceived, and it is not the painter's ambition to make us believe for a moment that 142