The photoplay; a psychological study (1916)

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THE PURPOSE OF ART dered: the tree on tlie edge of the rock, torn by the storm, and at the foot of the cliff the sea with its whitecapped waves. He too is absorbed by the tragic death of a Lincoln. But what is the scholar's attitude? Is it his aim to reproduce the landscape or the historic event? Certainly not. The meaning of science and scholarship and of knowledge in general would be completely misunderstood if their aim were thought to be simply the repeating of the special facts in reality. The scientist tries to explain the facts, and even his description is meant to serve his explana^- tion. He turns to that tree on the cliff with the interest of studying its anatomical struc- ture. He examines with a microscope the cells of those tissues in the branches and leaves in order that he may explain the growth of the tree and its development from the germ. The storm which whips its branches is to him a physical process for which he seeks the causes, far removed. The sea is to him a substance which he resolves in his laboratory into its chemical elements and which he explains by tracing the geologi- cal changes on the surface of the earth. In short, the scientist is not interested in 147