The photoplay; a psychological study (1916)

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THE PURPOSE OF ART action in the world gains interest for him only by being connected with other things and events. Every point which he marks is the nodal point for numberless relations. To grasp a fact in the sense of scholarly knowl- edge means to see it in all its connections, and the work of the scholar is not simply to hold the fact as he becomes aware of it but to trace the connections and to supplement them by his thought until a completed sys- tem of interrelated facts in science or ia his- tory is established. Now we are better prepared to recognize the characteristic function of the artist. He is doiQg exactly the opposite of what the scholar is aiming at. Both are changing and remolding the given thing or event in the interest of their ideal aims. But the ideal aim of beauty and art is in complete contrast to the ideal aim of scholarly knowledge. The scholar, we see, establishes connections by which the special thing loses all character of separateness. He binds it to all the remain- der of the physical and social universe. The artist, on the contrary, cuts off every possible connection. He puts his landscape into a frame so that every possible link with the ' 149