The photoplay; a psychological study (1916)

Page scan 000169 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000169
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY novel or drama. The sculptor even selects one single position. He cannot, like the painter, give us any background, lie cannot make Ms hero move as on the theater stage. The marble statue makes the one position of the hero everlasting, but this is so selected that all the chance aspects and fleeting ges- tures of the real man appear insignificant compared with the one most expressive and most characteristic position which is chosen. However far this selection of the essential traits removes the artistic creation from the mere imitative reproduction of the world, a much greater distance from reality results from a second need if the work is to fulfill the purposes of art. We saw that we have art only when the work is isolated, that is, when it fulfills every demand in itself and does not point beyond itself. This can be done only if it is sharply set off from the sphere of our practical interests. Whatever enters into our practical sphere links itself with our impulses to real action and the ac- tion would involve a change, an intrusion, an influence from without. As long as we have the desire to change anything, the work is not complete in itself. The relation of the work 160