The photoplay; a psychological study (1916)

Page scan 000174 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000174
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

THE MEANS OF THE VARIOUS ARTS ble, however mucli they may differ from the actual happenings in the outer world. In the painting the mermaid may have her tail and the sculptured child may have his angel wings and fairies may appear on the stage. In short, every demand which is made by the purpose of true art removes us from reality and is contrary to the superficial claim that art ought to rest on skillful imitation. The true victory of art lies in the overcoming of the real appearance and every art is genuine which fulfills this esthetic desire for history or for nature, in its own way. The number of ways cannot be determined beforehand. By the study of painting and etching and drawing merely, we could not foresee that there is also possible an art likei sculpture, and by studying epic and lyric poetry we could not construct beforehand the forms of the drama. The genius of mankind had to discover ever new forms in which the interest in reality is conserved and yet the things and events are so completely changed that they are separated from all possible re- ality, isolated from all connections and made complete in themselves. "We have not yet spoken about the one art which gives us this 165