The photoplay; a psychological study (1916)

Page scan 000186 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000186
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE MEANS OF THE PHOTOPLAY whole system of gestures, is decidedly differ- ent: and here we might say that the photoplay stands nearer to life than the pantomime. Of course, the photoplayer must somewhat ex- aggerate the natural expression. The whole rhythm and intensity of his gestures must be more marked than it would be with actors who accompany their movements by spoken words and who express the meaning of their thoughts and feelings by the content of what they say. Nevertheless the photoplayer uses the regular channels of mental discharge. He acts simply as a very emotional person might act. But the actor who plays in a pantomime caimot be satisfied with that. He is expected to add something which is entirely unnatural, namely a kind of artificial demonstration of his emotions. He must not only behave like an angry man, but he must behave like a man who is consciously interested in his anger and wants to demonstrate it to others. He ex- hibits his emotions for the spectators. He really acts theatrically for the benefit of the bystanders. If he did not try to do so, his means of conveying a rich story and a real conflict of human passions would be too meager: The photoplayer, with the rapid 177