The photoplay; a psychological study (1916)

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THE PHOTOPLAY is ruined by mixing it with declamation, and propaganda which is not organically inter- woven with the action itself. It may be still fresh in memory what an esthetically intoler- able helter-skelter performance was offered to the public in "The Battlecry of Peace." Noth- ing can be more injurious to the esthetic cul- tivation of the people than such performances which hold the attention of the spectators by ambitious detail and yet destroy their esthetic sensibility by a complete disregard of the fundamental principle of art, the demand for unity. But we recognized also that this unity involves complete isolation. "We annihilate beauty when we link the artistic creation with practical interests and transform the spec- tator into a selfishly interested bystander. The scenic background of the play is not pre- sented in order that we decide whether we want to spend our next vacation there. The interior decoration of the rooms is not ex- hibited as a display for a department store. The men and women who carry out the action of the plot must not be people whom we may meet tomorrow on the street. All the threads of the play must be knotted together in the play itself and none should be connected with 188