The photoplay; a psychological study (1916)

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THE MEANS OF THE PHOTOPLAY OUT outside interests. A good photoplay must be isolated and complete in itself like a beautiful melody. It is not an advertisement for the newest fashions. This unity of action involves unity of char- acters. It has too often been maintained by those who theorize on the photoplay that the development of character is the special task of the drama, while the photoplay, which lacks words, must be satisfied with types. Prob- ably this is only a reflection of the crude state which most photoplays of today have not out- grown. Internally, there is no reason why the means of the photoplay should not allow a rather subtle depicting of complex char- acter. But the chief demand is that the char- acters remain consistent, that the action be developed according to inner necessity and that the characters themselves be in harmony with the central idea of the plot. However, as soon as we insist on unity we have no right to think only of the action which gives the con- tent of the play. We cannot make light of the form. As in music the melody and rhythms belong together, as in painting not every color combination suits every subject, and as in poetry not every stanza would agree with 189