The photoplay; a psychological study (1916)

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THE DEMANDS OF THE PHOTOPLAY orcliestra must play the symphonies, the pianist or the singer must make the melodies living, the actors must play the drama. But the music is a perfect work of art even before it is sung or played on an instrument, just as a drama is complete as a work of literature even if it never reaches the stage. Moreover it is evident that the realization by actors is needed for the photoplay too. But we may disregard that. What we have in mind is that the work which the scenario writer creates is in itself still entirely imperfect and becomes a complete work of art only through the action of the producer. He plays a role entirely different from that of the mere stage manager in the drama. The stage manager carries out what the writer of the drama pre- scribes, however much his own skill and visual imagination and insight into the de- mands of the characters may add to the em- bodiment of the dramatic action. But the producer of the photoplay really must show himself a creative artist, inasmuch as he is the one who actually transforms the plays into pictures. The emphasis in the drama lies on the spoken word, to which the stage manager does not add anything. It is all con- 193