The photoplay; a psychological study (1916)

Page scan 000209 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000209
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY Some religious painters of medieval times put in the picture itself phrases which the persons were supposed to speak, as if the words were leaving their mouths. But we could not imagine Eaphael and Michelangelo making use of a method of communication which is so entirely foreign to the real spirit of painting. Every art grows slowly to the poiut where the artist relies on its character- istic and genuiae forms of expression. Ele- ments which do not belong to it are at first mingled in it and must be slowly eliminated. The photoplay of the day after tomorrow will surely be freed from all elements which are not really pictures. The beginning of the photoplay as a mere imitation of the theater is nowhere so evident as in this inorganic combination with bits of dialogue or explan- atory phrases. The art of words and the art of pictures are there forcibly yoked together, "Whoever writes his scenarios so that the pic- tures cannot be understood without these lin- guistic crutches is an esthetic failure in the new art. The next step toward the emanci- pation of the photoplay decidedly must be the creation of plays which speak the language of pictures only. 200