The photoplay; a psychological study (1916)

Page scan 000215 from The photoplay; a psychological study

Record Details:

Title:
The photoplay; a psychological study
Date:
1916
Publisher:
New York [etc.] D. Appleton and company
Volume:
The photoplay; a psychological study
Leaf #:
000215
Language:
English
Collection:
Books
Format:
Books
Contributor:
Cornell University Library
Sponsor:
MSN
Coordinator:
Media History Digital Library
Description:
Date Added:
July 19, 2022
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THE PHOTOPLAY they will have to disappear too. They have no right to existence in a work of art which is composed of pictures. In so far as they are simply heightening the emotional tension, they may enter into the music itself, but in so far as they tell a part of the story, they ought to be ruled out as intrusions from an- other sphere. "We might just as well improve the painting of a rose garden by bathing it in rose perfume in order that the spectators might get the odor of the roses together with the sight of them. The limitations of an art are in reality its strength and to overstep its boundaries means to weaken it. It may be more open to discussion whether this same negative attitude ought to be taken toward color in the photoplay. It is well- known what wonderful technical progress has been secured by those who wanted to catch the color hues and tints of nature in their moving pictures. To be sure, many of the prettiest effects in color are even today pro- duced by artificial stencil methods. Photo- graphs are simply printed in three colors like any ordinary color print. The task of cutting those many stencils for the thousands of pic- tures on a reel is tremendous, and yet these 206