The photoplay; a psychological study (1916)

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THE PHOTOPLAY miglit add sucli special psychological demands which result from the fundamental principles of the new art. But it would be misleading if we were also to raise demands concern- ing a point which has often playe^ the chief role in the discussion, namely, the se^ lection of suitable topics. Writers who have the unlimited possibilities of trick pictures and film illusions in mind have proclaimed that the fairy tale with its magic wonders ought to be its chief domain, as no theater stage could enter into rivalry. How many have enjoyed "Neptune's Daughter"—^the mermaids ia the surf and the sudden change of the witch into the octopus on the shore and the joyful play of the water sprites! How many have been bewitched by Princess Nico- tina when she trips from the little cigar box along the table! No theater could dare to imitate such raptures of imagination. Other writers have insisted on the superb chances for gorgeous processions and the surging splendor of multitudes. "We see thousands in Sherman's march to the sea. How hope- less would be any attempt to imitate it on the stage! When the toreador fights the bull and the crowds in the Spanish arena enter into 212