The photoplay; a psychological study (1916)

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THE DEMANDS OF THE PHOTOPLAY enthusiastic frenzy, who would compare it with those painted people in the arena when the opera "Carmen" is sung. Again others emphasize the opportunity for historical plays or especially for plays with unusual scenic setting where the beauties of the tropics or of the mountains, of the ocean or of the jungle, are brought into living contact with the spectator. Biblical dramas with pictures of real Palestine, classical plots with real Greece or Eome as a background, have stirred millions all over the globe. Yet the majority of authors claim that the true field for the photoplay is the practical life which surrounds us, as no artistic means of liter- ature or drama can render the details of life with such convincing sincerity and with such realistic power. These are the slmns, not seen through the spectacles of a litterateur or the fancy of an outsider but in their whole abhorrent nakedness. These are the dark comers of the metropolis where crime is hid- den and where vice is growing rankly. They all are right; and at the same time they all are wrong when they praise one at the expense of another. Eealistic and idealistic, practical and romantic, historical and modern 213 •