Descriptive Catalogue of Pathescope De Luxe Special Features (1922)

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REEL NO. TITLE PRODUCER De Luxe Subjects 5 i. — Not included in film subscription. Transient rental at fixed charge for complete subject per day. ^ 2. — One day allowed without charge for transportation by Parcel Post or express previous to day for which subject is ordered. Additional days, going, charged to customer at one-fourth (}4) of daily rate for the subject sent. (The Exchange will send the subject on any day designated by the customer, but cannot assume responsibility for delays in transit. To avoid disappointment, allow ample time for travel.) H 3— When called for by messenger, full charge starts same day. 1[ 4. — De Luxe subjects must be returned on the day following use, or there will be an extra charge of one-half (3^) daily rate. Every day of use will be charged at full daily rate. 5 5. — A two-day charge will be made for reels held Saturday and Sunday, or a Holiday and the previous or following day, unless, upon their return, we have the assurance of the customer that they were used only one of the two days. H 6. — No charge for time of reels on return trip. 5 7. — Add 5% War Tax to Rental charges on De Luxe Films. Use of De Luxe Films by Subscribers 5 8. — A Subscriber for regular Film Service can obtain DE LUXE subjects at any time, instead of his regular subjects, by paying the extra cost of the DE LUXE subject in excess of the pro rata cost of the regular subjects. DA-546 to DA-553 Judith of Bethulia Biograph Co. (Directed by D. W. Griffith) Featuring Blanche Sweet , Henry Walthall, Mae Marsh, Lillian and Dorothy Gish, and Robert Harron This intensely dramatic feature takes its name from an illustrious woman by whose fortitude and prayers the children of Israel were preserved from the destruction threatened by Holofernes. Characters and scenes are taken from the Apocrypha and the poem of Thomas Bailey Aldrich, entitled Judith and Holofernes. The poem divides itself into three parts, the Tower, the Assyrian Camp, and the Flight. The opening scene takes one into the Holy Land with its beautiful scenes of women drawing water at the wells. The touching episodes of Naomi and her beloved Nathan, and of the beautiful Judith in her tower, give the atmosphere of the East. The coming of the Assyrian hordes, "like the wolf on the fold," thrills one with a sense of impending disaster. The mighty men of battle, with their pikes and javelins, the archers, the horses and chariots swoop down upon the water carriers. After the opening battle, Holofernes, the leader sent by Nebuchadnezzar, lays siege to the city. They storm the city wall with all the zeal of conquering warriors. When the city seems doomed to fall, Judith, inspired by her vision, goes to Holofernes. Her beauty gains her admittance to the king. By her clever wiles, she entrances Holofernes, [4]