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CLASS 8— Dramas 166
PRODUCER
which threatens to end fatally, causes the old man to selfishly insist upon an immediate marriage between his son and his ward.
Monte yields only because he has mistaken an affectionate attitude of Irene towards his brother, whom she is trying to save from the effects of a gambling debt. Too late, they all realize the terrible mistake that has been committed in the hasty marriage.
Then follows a terrifically exciting series of adventures in which Irene and Norma flee in their night garments through miles of burning forest with wolves, deer and bears also seeking safety. An apparent position of safety on a high trestle is destroyed by a burning powder-house, blowing up an adjacent dam and precipitating a torrential flood on which the trestle is washed away and the two girls struggle madly for their lives in the turbulent water. The spectator follows breathlessly from hairbreadth escapes to almost imminent destruction, and after the final thrill comes the beautiful ending which will send every spectator away enthusiastic in his praise of the production.
5892 feet standard length — on 6 reels Rental $4.50
8054 Code SAKU The Return of Draw Egan Triangle
Featuring William S. Hart, Robert McKim, Marguery Wilson and Louise Glaum
Draw Egan is the head of a band of notorious outlaws, who are closely pursued by the sheriff and a large posse. Up hill and down vale, through stupendous mountain passes, ride the outlaws, hotly pursued. At a cabin in the mountains they make their last stand, and a terrific bombardment occurs. The bandits make their escape through a trapdoor. The cowardly member of the band, "Arizona Joe," sneaks out of the background, only to fall into the clutches of the posse.
The band scatters and a little later we see Draw Egan alone maintaining his usual reputation for bravery in a saloon quarrel, where he is narrowly watched by Mr. Buckton, who is looking for a town marshal for the neighboring town of Yellow Dog.
Next we see Draw Egan as the champion of the reform element in the town of Yellow Dog, maintaining law and order in the saloon and closing it on Sunday. He is a model town marshal, but much of the credit of his rule is due to his affection for Myrtle Buckton, the daughter of his sponsor.
"Arizona Joe" escapes from the penitentiary, returns to the town, recognizes the marshal as his former bandit chief and spurred to revenge by the Queen of the Dance Hall (Louise Glaum), who has been plainly snubbed by the marshal, he decides to "show him up" before the town.
Of course, his friends in the Reform League are aghast at this new information, but the marshal, while admitting his identity and expressing his willingness to "give up" at sundown, expresses his intention of holding office long enough to make a prisoner of "Arizona Joe." Joe tries to shoot him from ambush, but fails and is victim of the marshal's unerring aim. After having a few hours to think it over, the Reform League decides that a live town marshal, even if he is an ex-bandit leader, is better than a dead one, or one returned to jail. Therefore,
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