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CLASS 8— Dramas 172
it sure does end just the right way and leaves you feeling happy and satisfied. Somehow you're glad that the first fiddle has broken down and the second fiddle been promoted.
It is a splendid story, well acted and will please any audience. 4805 feet standard length — on 5 reels Rental $5.00
8075 Code SANAR Tiger Rose Warner Bros.
Featuring Lenore Ulric A dramatization of the great stage success, with the same star, from the story written by Willard Mack and presented by David Belasco. The screen version gives a great deal more opportunity for sustained suspense than the stage version. It was taken in an environment of stupendous snow-capped mountains and the scenery in many of the locations is superb. Rose, the heroine, is rescued from a raft floating down river and adopted by the kindly old Scotch factor at the Hudson Bay Trading Post. She loves a young engineer with a railroad surveying party and the dramatic interest of the story hinges principally upon her hiding and protecting this lover who is fleeing wounded after accidentally shooting the man who had brought trouble to the family of his sister. The spectator's suspense is wonderfully sustained and the dramatic situations are frequent and surprising. Anyone who saw the stage version should see the screen version and those who did not should be even stronger inclined to see the picture. 4772 feet standard length — on 5 reels Rental $5.00
8076 Code SANER Daddies Warner Bros.
Featuring Mae Marsh, Claude Gillingwater, Harry Myers, Craufurd Kent and Willard Louis
Reproduced for the screen from David Belasco's great stage success of the same title. A Bachelor's Club has been sadly depleted by the inroads of matrimony, despite the. fact that each backsliding member is compelled to forfeit a check for $5,000.00 upon changing his condition from bachelor to benedict.
One of the members is late at the meeting and announces dolefully that he had agreed to adopt a war orphan, left behind by a former classmate and pal who fell in action. His example is emulated by the others who each decide to adopt an orphan — some with great misgivings.
There is a great deal of quiet humor in the dialogue preceding the actual selection of children to be adopted. Later, when the orphans arrive, there are some amusing complications and the fun soon grows fast and furious. The old grouch insists upon adopting a boy and gets a girl instead. The most benevolent of the Daddies finds that he has adopted triplets. The hero adopts, as he supposes, a little girl of six. but finds that she is eighteen. The efforts of the amateur daddies to care for this young orphan asylum produces a condition of hilarity approaching hysteria.
The gradual evolution of the amateur daddies to professional ones is a deTake regular weekly service