Design in motion (1962)

Page scan 00092 from Design in motion

Record Details:

Title:
Design in motion
Date:
1962
Publisher:
New York : Hastings House
Volume:
Design in motion
Leaf #:
00092
Language:
English
Collection:
Books
Format:
Books
Contributor:
Niles Essanay Silent Film Museum
Sponsor:
Media History Digital Library
Coordinator:
Media History Digital Library
Date Added:
May 02, 2025
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Designing for wide screen creates additional problems for the artist. If he is to take advantage of the new screen ratios, the designer has to realise that there are great dramatic opportunities for him to develop in the sheer magnitude of the screen. THE SHRIKE ■ Title design by Saul Bass for Jose Ferrer— Universal-International production (USA) The opening frames show a pair of scissors which are then grasped by a hand. Gradually a strip containing the credits for the film moves down into the frame. Each credit is snipped off —after passing through the scissors 88 > AND CONDUCTED BV FfZAtflC DEVOL. THE BIG KNIFE • Title design by Saul Bass for the Robert Aldrich— United Artists production (USA) The title opens on a black screen showing the top of a man's head. As the camera pans down slightly, one sees that he is holding his head with his hands. His gestures reveal inner torment. The titles appear; immediately prior to the last credit, the screen cracks, and the cracks widen to form a completely white screen on which the last credit appears