Design in motion (1962)

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%# % B0NJ0UR.1PI8TE88E 89 BONJOUR TRISTESSE • Title design by Saul Bass for the Otto Preminger— Columbia film The title was intended to convey in abstract terms the diverse moods of gaiety and sadness in the film. It opens with gaily coloured forms breaking in against a black background, to gay music. As the mood and the music change, so the colours deepen and the forms become more flower-like with dropping petals. These petals dissolve until only one is left. From this forms a face and the petal becomes a tear. The credits appear intermittently throughout this development