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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 00092 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
00092
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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19 1/René Jeanne and Charles Ford, Histoire Encyclopedigque du Cinema, vol. “I (Paris: Laffont, 1947). a, aae. 18E Ve Francis, Temps Heroiques (Paris: Denoel, 1999)5 py. bean 19 Tbad .4¢ p.naee. 2UColette, "Colette au Cinéma," Le Film no. 116 (3 June 19309 ,8. 21guillaume Apollinaire, "Les Tendances Nouvelles," Sic no. 8-9-10 (August-September-October 1916), n.p. eeMax Jacob, "Printemps et Cinématographe Mélés," Soirsées de Paris no. 25) (15 April 29148) ,°249-220, .: 2 3Max Jacob, "Cinématographe," Le Cornet 4 Dés (Parisa, Gallimard, 4945) 4438. 24@uillaume Apollinaire, "Avant le Cinéma," Oeuvres Poetiques (Paris: Bibliotheque de la Pléiade, 1956), p. 362. See also Marcel Tariol, Louis Delluc (Paris? Seghe?rs;» 1965) 4c pic 473 2Philippe Soupault, “Indifference: Poéme Cinématographique,” Sie no. 25 (January 1918), n.p. 2OPierre-Albert Birot, "2-1-1=2," Cinéma: Drames, Poems. dansr likspace: (Paris: Edationsc"Sies"21990)q7p.. 26. 2TApollinaire also composed a satiric sketch of the film business entitled "Un Grand Film." It is reprinted in Selected Writings of Guillaume Apollinaire, tr. and ed. by Roger Shattuck (New York: New Directions, 1948) pp. 268-284. e8Harry Alan Potamkin, "Cinéa-Ciné," National Board of Review Magazine II (October 1937), p.-4. eIMaurice Raynal, "Chronique Cinématographique," Soirées de Paris»no.! 26-27 (July-August 1914), n.p. 50See Standish Dyer Lawder, Structuralism and Movement in Experimental Film and Modern Art, 1896-1925, unpublished Ph.D. dissertation (Yale, 1967). S51 Pathé, p. 79.