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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 00093 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
00093
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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80 3¢Tbid., pp. 51-52. 35Georges Sadoul, Histoire Générale du Cinéma, vol. III,.part 2 (Paris: Flammarion, 1952), pp. 35-55. 34tpid., p.« 414,. and Jean Mitry, Index Historique des Techniques et Industries du Film (Paris: IDHEC, 1963), pp.. 100-11 ¢: 553ee Le Courrier Cinématographique IX (1919-, passim. 36see Ciné-Journal XVI (1922), passim. 37Jeanne and Ford. pew t2ietee. 38Ror contemporary comments on the American domination, see Paul Reboux, "Les Maitres du Cinéma," Crapouillot. (March,°21920))pvc5, and Louis» Delltc),. "Les Cinéastes,” Le Monde Nouveau (15 August-1 September 1922), a7) 90. Later years would see many proposals for European film corporations to unite in a syndicate to battle American . hegemony. Two important proposals are Delluc, "La Finance et le Cinéma," reprinted in Tariol, pp. 115-119, and Jean Sapérre, "La Politique de Cinéma Francaise," Cinéa-Ciné pour Tous*neurga) (du Agra 1025 nn 7-95 39For exact figures, see "Le Marché Frangaise Depuis 1924," Le. Tout Cinéma 1929 (Paris: Filma, 1930). p.'ad,. «For a chronological dist of collapsed’ French firms (1923-1933), see Max Dianville, "Raisons Majeures,” Le mo Ea XXV, 29-30 (21-28 June 1934), 7-8 4Ocharles Pathé, "La Crise du Cinéma," Le Film no. 102 (25 February 1918), 8, and "Etude sur 1'Evolution de 1'Industrie Cinamatographique Francaise," Le Film no. 12001) Dirt ors i) bee 41colette's remarks on limitations of The Cheat may be found quoted (and uncited) in Sadoul, Histoire Générale, p. 85. For Delluc's remarks, see Louis Delluc, Cinéma ét Cie (Paris: Grasset, 1919), p..29...Unfortunately most of these films are now lost. 42See Robert Florey, "Al Saint-John, dit 'Picratt'," Cinémagazine IT,.3 (20 January 1922), pp. 71-753 Robert Florey, "Clude Cook, dit 'Dudule'," Cinémagazine II, 9