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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 00094 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
00094
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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84 (3 March 1922), pp. 259-260; Raphael Bernard, "Buster Keaton (alias 'Malec')," Cinémagazine II, 2 (13 January Pp2ey, pp. 39-42. 43Louis Delluc, La Jungle du Cinéma (Paris: Grasset, 1921), pp. 205-206. : 44steegmuller, oe) ee —ADgee' Colette, "La Critique des Films," Le Film no. 63.(28 May 1917), 5-6, and Louis Delluc, "Ti luelon' et Illusiones Le, Phim’ no, 67 (25 June 1917), 6. 46steegmuller, py 2580 47Quoted in Pierre Leprohon, Jean Epstein (Paris: eeghers 204). yp. 19%, 48, ouis Delluc, "Les Cinéastes," Le Monde Nouveau (15 August-1 September 1922), 37. 49Dodge, 74. 50Le Film no. 145’ (24 December 1918), passim. S51yJournal du Ciné-Club no. 40 (15 October 1920), 12-14. 2¢Le Courrier Cinématographique IX, 16 (16 April sl ee I DONOR GE. PO) tie. eee 5 Philippe Soupault, The American Influence in France, tr. Babette and Glenn Hughes (Seattle: University of Washington Chapbooks, 1930), p. 15. 52Quoted in Jeanne and Pore. 2a es 56Quoted in Leprohon, p. 16. See also Jean Epstein, "Amour de Charlot," Cinéa no. 23 (14 October se tas a a ee 5’See Le Film no. 88 (19 November 1917). 58see, for early examples, Louis Delluc, "L'tex pression et Charlie Chaplin," Le Film no. 106-107 (2 April 1918), 48-54; Max Linder, "L'Homme Qui Fait Rire le