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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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29 Tean Gaitier-Boissiére, "Charlot," Le Crapouillot (March, 1920), pp. 12-14;° Canudo, Usine des Images, eo 60steegmuller, ieee 48 Strpid. ‘p. 195. 62René Clair, Cinema Yesterday and Today, trans. by Stanley Applebaum (New York: Dover, 1972), p. 93. 63Prancis, eR a O4Touis Delluc,’ Cinema "et Cie, p.” 13% Ootbid. 66rqouard de Max, "De Max au Cinéma," Le Film no. 94 (31 December 1917), 9. 67Jean-André Fieschi,"Entretien. avec Marcel L"Her~ bier," Cahiers du Cinéma no. 208 (June-July 1968), 29. 68 anonymous, "Enquéte," Le Film no. 134-134 (14 October 1918), 29-35. | 69yJournal du Ciné-Club no. 5 (30 February 1920), 15, Tyournal du Ciné-Club no. 29 (3 July 1920), 11. Tne ee men ne nt Tera i TlLouis Delluc.,-"Les’ Cinéastes: Cecil B...De' Mille," vanee no. O5=On (21 July 1922) 21. T@Delluc noted: "On eut mieux fait de le regarder mieux et de ne pas dire trop vite que, 'ma foi, le cinéma ce n'est pas si béte...' simplement parce que ce mélodrame mondain paraissait 'presque aussi bien que du Bernstein, * "CL pia.) ’5Frances, OEE 28 Be TAcolette, "La Critique des Films," Le. Film no. 63 (25 May 1917)),°5.