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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 00096 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
00096
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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Interestingly, André Bazin compared Citizen Kane's revelation of cinematic possibilities to that wrought by The Cheat thirty years earlier. See Bazin, Orson Welles®(Paris: Editions du Cerf,» 1972), puis. 7T6Louis Delluc, "Notes Pour Moi," Le Film no. 94 (31 December 1917), 14. ’’camille de Morlhon,.’Une Enquéete;, "he Pilmi ao. 52. aes Marah ody lay 78Louis Delluc, "La Faute d'Odette Maréchal," Journal du’ Ciné-Club nour 30428 Januarye 1920) yanécp,,oand Photogénie, (Paris, Grasset, 1920), p. 61. 19S8@e Colette, "La Critique des Films," Le Film no. 69 (9 July 1917), 7)8; New York Times (30 September 1920). Lae : 80pelluc, Cinéma et Cie Dl, Diba 81soupault, The American Influence in France, an te 82pDelluc, Cinéma et Cie, p. 71. 83See also the quotation in Steegmuller, p. 162. S4Harding, oa ae Be a 85wWalter Albert, "Introduction," in Selected Writings of Blaise Cendrars (New York: New Directions, LOS > PP9. 86tucien Parrot, Blaise Cendrars (Parus: Seghers, 1948), p. 47. For testimony on Cendrars! filming activities, see Abel Gance, "Blaise Cendrars et le Cinéma," Mercure de (Rranee no. dhO5e (MayywoO62 yi hr a7 14 87Parront, ot ge 88Prancis, D. 556s 89soupault, The: American, Influence: dn, Mrance,) p. 7° Fernand Léger, "The Spectacle," Functions of Painting, trans. by Alexandra Anderson (New York: Viking, 4973), PDs. oey. 83 ie ke