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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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84 91jean Galtier-Bossiere, "Reflexions sur le‘ Cinéma," Le Crapouillot (March, 1920), 3-4. 9°Georgette Leblanc, "Propos sur le Cinéma," Mercure de France (16 November 1919), 275-290. I5Delluc, Cinéma et. Cie, Gs 1G, Marcel Gromaire, "Idées d'un peintre sur le cinéma," in L'Herbier, ed., Intelligence du Cinématographe, p. 248. 95Soupault, American Influence in France, p. 17. Reese Picabla, "Cinéma," Cinéa no. 52 (5 May 1922), 9. 97Quoted in Clair, Dp. 27. See also Jean Tedesco, "Le Cinéma, Expression de l'Esprit Moderne," CinéaCiné Pour Mois no. 84 (& May 1927), pp. 911. 98Leblanc, 284, I9Delluc, Cinéma et Cie. pt (Ba, 100Ssoupault, The American Influence in France, eo eh. 101 jean Epstein, Le Cinématographe Vu de 1'Etna (Paris: Les Ecrivains R6unis, 1926), p05. 102For remarks on the function of reviews in an avant-garde movement, see Albert Guerard, Literature _and Society ( Boston: Lathrop, , lee, 19355), pi 289, and Renato Poggioli, The 2 ry of the Avant-Garde (New York: Harper & Row, 196 passim. 105Quoted in Pierre gi lg Histoire du Cinéma (Paris: Editions du Cerf, 1961), ‘i 104Le Film no. & (27 February 1914), 3. 105See Le Film no. 29 (30 September 1916), 5; no. 32 (21 October 1916), 5; no. 43 (28 October 19160); 5: no. 34 (4 November 1916), 5; no. 35 (11 November 1916), ie 36 (18 November 1916), 5-7; no. 38 (2 December 1916, 5~ 0. > D5