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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 00099 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
00099
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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86 117Henri Diamant-Berger, "Mise au Point," Le Film no. 105 .(18 March 1918), 6. 118Quoted in Georges Sadoul, Histoire Générale, pacar. 119s¢e for instance Fannie Ward, "Mes Metteurs en Scéne," Le Journal du Ciné-Club no. 3 C1920): “top FO" and Henri Roussel, "Un Metteur en Scéne et son Film," Le Journab durCineeChamings Ft. 1920) peip: 120¢, ge Vesme, "Ce Que Doivent Etre le CinéClub et Son Journal," Le Journal du Cine-Ghap nol pe (F920 )\, Wins 1elsee Tariol, p. 38n. 122see Cinéa no. 11 (15 July.1921), passin. 123see, for example, Jaque Christiany, "Cinéa chez Eve Francis," Cinéa no. 84 (26 January 1923), 4; Jaque Christiany, "Cinéa chez Jaque Catelain," Cinéa no. 83 (12 January 1923), 4; Jaque Catelain, "Paroles d'un Acteur Muet," Cinéa no. 6 (10 June 1921), 10; Abel Gance et al., "En Mémoire de Sévérin-Mars," Cinéa no. 37 (20 January 1922), 16; Jaque Catelain, "Dialogue," Cinéa no. 11 (15 July 1921), 16-17; Jean Epstein, "Sessue Hayakawa," Cinéa no. 35 ( 6 January 1922), 14; Jean Epstein, "Amour de. Sessue,". Cinéa no. 37: (20 January 1922), 14; Jean EpStein, "Redlite des Détails," Cinéa no. 45 (17 March 1922, l2; Marcel L'Herbier, "Sisyphes,” Cinéa no. 86 (23 February 1923, 4-6; Louis Delluc, "De 'Rose-France' 4 'El Dorado,'" Cinéa no. 1 (6 May 1921), 13-15; Jean Tedesco, "Don Juan et Faust," Cinéa no. 85 (9 February oe 3° 255 Louis Delluc, "Don Juan et Faust," Cinéa no. 57-58 (9 June 1922), 13; Louis Delluc, "Les Cinéastes: Marcel L'Herbier," Cinéa no. 73-74 (6 October 1922), 4-5; Jean Tedesco, "Le Brasier Ardent," Cinéa no. 94 (15 June 1923), 10-15. 124rve Francis, "Les Mariés de la Tour Eiffel," Cineay niotn9° Xa Judy 1921), 16; Eve Francis, "Ballets Suedois," Cinéa no. 40 (10 February 1922), 18. 125hionel Landry, "Einstein au Cinema," Cinéa no. 71-72 (22 September 1922) ,' 12-13. 126See Cinéa no. 6 (10 June 1921) Qinep: