French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 000100 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
000100
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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87 127see Cinéa no. 43 (3 March 1922), 13; Cinéa no. 81 (15 December 1922), 3. 128s6e Cinéa-Ciné pour Tous no. 1 (15 November 1923 )40 38853, 129See Cinéa-Ciné pour Tous no. 29 (15 January 1925), 11-12; Fritz Lang, "La Mission du Réalisateur," Cinéa-Ciné pour Tous no. 39 (15 June 1925), 7-8; Charles Chaplin, "La Comédie et la Tragédie Devant le Public," Cinéa-Ciné pour Tous’ no. 45 (15 September 1925), 5-7; Cecil B. De Mille, "Ce Que Désire le Public," Cinéa-Ciné pour Tous no. 47 (15 October 1925), 7-8; Lupu Pick, “Réalisateur et Scénario," Cinéa-Ciné pour Tous no. 66 (31 July 1926), 9-11; Jean-George Auriol, "Mack Sennett," Cinéa-Ciné pour Tous no. 67 (15 August 1926), 21-24; Jean-Georges Auriol, "Erich von Stroheim," Cinéa-Ciné pour Tous no. 68 (1 September 1926), 11-13; Edmond Epardaud, "Léonce Perret," Cinéa-Ciné pour Tous no. 69 (15 September 1926), 21-11; Jean Tedesco and Jean Arroy, "Marcel L! Herbier," Cinéa-Ciné: pour. Tous no..,.72. (1, November 1926), 9-14. Anonymous, "Robert J. Flaherty," CinéaCiné pour Tous (15 November 1926), 25; Jean-Georges Auriol, "King Vidor,” Cinéa-Ciné pour Tous no. 77 (15 January 1927), 12-13; Bernard Brunius, “René Clair," Cinéa-Ciné pouriTous nome th) February 1927), Lieto Potty; BF. W.. Murnau," Cinéa-Cine pour Tous no. 62.(1 April 1927), elsee. 150see, for example, R. T., "Le Nouveau Film de Mme. Germaine Dulac," Cinéa-Ciné pour Tous no. 28 (1 January 1925), 25 26; Pierre Kefer, "En Marge de Mauprat," Cinéa-Ciné pour Tous no. 70 (1 October 1926), 21-22. For the polemic on Epstein's work, see the following essays in Cinéa-Ciné pour Tous: Pierre Rambaud, "Pour Coeur Fidele,” no. 110 (1 June 1928), 53; Paul Ramain,."Pour ‘La Belle Nivernaise' "no. .411,.(45 June 1928), .15-16; ,Henri Hughes, "Créer," no. 116 (1,September 1928), 19-21, and no. 117 (15 September 1928), 19-21; Paul Ramain, "Savoir Créer," no. 119 (15 October 1928), 23-24; Acos Manaras, "Le CinémarArt , Concept .Realizé,".no.122;.(1 December 1928)... 4oaeue: | 141see Marcel L'Herbier, "Cinématographe et Démocratie,"” Cinéa-Ciné pour Tous’no.° 48 (1 November 1925), 7-8; "Résurrection,” Cinéa-Ciné pour Tous no. 90 (1 August 1927), 9-11; "Le Droit de Métamorphose," Cinéa-Ciné pour Tous no. 109 (15 May 1928), 10-11. For a sample article