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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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89 142 eee Le Journal du Ciné-Club no. 22 (11 June 1920), 2; no. 27 (16 July 1920), 3-5; and no. 41 (22 Octo ber 1920), 4H. 143 Riccioto Canudo, "L'Art pour le Septiéme Art," Cinéa’ nos 2" (1SiiMayo 1920p gr 16. 144 anonymous, "Pall-Mal]," Cinéa: no, 8 (24 June 927): 294 7 2 ig 145 Jean Epstein, Le Cinématographe Vu de l'Etna, pp. 46-47. 146Reports of these gatherings appeared in Le Gazette des Sept Arts no. 2 (nid.), 13; Lumiére 11; 34 (14 April’ 1923)0.7;5Bomiépe Higrs8 (iermay 19239; 7. 147 Jeanne and Ford, Histoire Encyclopédique, be toe. 148 anonymous, "Au Ciné-Club de France," CinéaCiné pour Tous no. 48 (1 November 1925), 20. 1493éander, "Les Ciné-Clubs," Le Cinéma par Ceux Qui le Font, ed. Denis Marion Paris: Fayard, 1949), Pp» SOt" FO2 740) t>°Tpid., pp. 363-384. 151yean Tedesco, "Creation d'un Cinémaclub International," Cinéa-Ciné pour Tous no. 108 (1 May 1928), 9-10; "Organization du Cinémaclub International," CinéaClub pour Tous no. 110 (1. June 1928), 9-10. 15° Germaine Dulac, "Le Cinéma d'Avant-Garde," in Henri Fescourt, ed., Le Cinéma (Paris: Editions du VY BNE. L051) ey Gay 15 3see Le Journal du Ciné-Club no. 47 (3 December 1920), no. 48 (10 December 1920), 8-10. Oe aia Le Journal du Ciné-Club no. 40 (15 December 1920),, 10*14Sonol cGigtgandetaber: 1920), ¢ 22% 15°clair, Cinema Yesterday and Today, p.70. é 156"Repertoire des Films Representées par le Theatre Vieux-Colombier Depuis 1924," Cinéa-Ciné pour Tous