French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
000142
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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129 Notes lLouis Deliue. “Cinégraphie:;" Le Crapouillot (November 1932), p. 24. 2See La Poésie d'Aujourd'hui (Paris: Siréne, 192l-, padeinm, dRiceioto Canudo, Usine des Imagés (Geneva: Office Central d'édition, 4927~, p. 5 4Marcel Défosse, "Une Certaine Photogénie," 1 Cinéa-Ciné pour Tous no. 94 (1 October 1927), 13. Paul Ramain, "Pour une Esthétique Intellectuelle du Fulm," Cinéa-Ciné pour Tous no. 58 (2 April (1926) 48, 6Riccioto Canudo, Héléne, Faust et Nous (Paris: CID erie Ie yn Des elt at TCanudo, Usine, m, @2. SRamain, "Pour une Esthétique Intellectuelle du Fidm, Ay ICanudo, Usine, pp. 39-40. 10yean Epstein, Bonjour Cinéma (Paris: Siréne, t9el ) Die. 11stéphane Mallarmé, "Music and Literature," in O. B. Haridson, Jr., ed., Modern Continental Literary Criticism (New York: Appleton, 1962), pp. 1798-181. 1ecanudo, Hélenesy, Paust.et,Nous,.p.c5Siullaines: ps..39: 14epstein, Poceie ¢'Aujourd*hul, pp. 172=475 . Deh cht pelle Olan @ Go 16Fop detailed examination of such issues, see Harold Osborne, "The Quality of Feeling in:Art," Aesthetics in the Modern World, ed. Harold Osborne (London: Weybright