French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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150 and Talley, 1968), pp: 105+124, and B. R. Tilghman, The Expression of Emotion in the Visual Arts (The Hague: © Martinus Nijhoff, 1970). 17Canudo, "Manifeste des Sept Arts," Gazette des Sept. Arts nearer im dul ad 2. 18tpia. 19c¢anudo, Usine, p. 17. 2ORlie Fauré, Fonction du Cinéma (Paris: Gonthier, 1964). pit em 3 er Thid,. v.24, Patbids. pi) 25: ¢ 3Jean-André Fieschi, "Entretien avec Marcel L'Herbier," Cahiers du Cinéma no. 202 (June-July 1968), 29. 24tean Epstein, Le Cinématographe vu de l'Etna (Paris: Ecrivains Réunis, 1926), p. 24. 2oEpstein, Bonjour Cinéma, p. 115. 26René Doumic, "L'Age du Cinéma,” Nouvelle Revue des Deux Mondes (15 August 1913), p. 930. 2/Louis Delluc, Cinéma et Cie (Paris: Grasset, 1919), Ps ae 28Riaise Cendrars, "Lectures," Cinéa no. 56 C2 June 192 ye et. e9tTean Pascal, "Le Vocabularie du Cinéma," Cinémagazine II, 5 (3 February 1922), 146-147. 50paul Valéry, The Art of Poetry (New York: Vintage, 1964 )y) Oe. THE, 31 For a contemporary account of the "pure poetry" controversy, see Henri Brémond, La Poésie Pure (Paris: Grasset, 1926). 32Quoted in Marcel Tariol, Louis Dellue (Paris: Seghers, 1965), p. 109. TTT eM ey