French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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151 d3houis Delluc, Drames du Cinéma (Paris: Monde Nouveau,, 1923), pp. x-xi. s4canudo, Usine, p. 20. 35 Germaine Dulaq, i"0u, Sont) les Interprétes?". Le Film no. 133-134 (14 October 1918), pp. 69-70. 56Delluc, Cinéma et Cie, pp. 44-46. 5’ Canudo, Us ite. pip: atk. 38 sean Galtier-Boissiére, "Bilan Cinégraphique," Le Cra pouttlot: (March? 192 o) ypu 3. 59Fauré, Fonction du Cinéma, p. 27. NOpierre Porte, "Un Idéal," ‘Cinéa-Ciné “Pour Tous noe 41 C4 aby 1925) 090; 41canudo, Usine ,)p 4220), 42Germaine Dulac, "Films Visuels," Le Rouge et le Noir, Cahier speciale (July 1928), 39. 43epstein, Le Cinématographe Vu de 1'Etna, p. Puy 4 Hy ouis Delluc, \Provogénie!\(Parisis Grasset , .1920).,, 4Seostein, Le Cinématographe vu.de l'Etna, p. 46. 46Georgette Leblanc, "Propos sur le cinéma," Mercure de France (16 November 1919), 279. 47Epstein, Le Cinématographe vu de l'Etna, p. 11. 48pmitri Kirsanoff, "Les Problémes de la Photogénie," Cinéa+Ciné pour Tous)no, 62 (1 June 1926), 10. See also Kirsanoff, "Les Mystéres de la Photogénie," CinéaCiné pour Tous ‘no. 39.085 Ylane)1925)0.9. 49René Clair, Cinema Yesterday and Today, trans.by RR. C. Dale (New York: .Dover, 1972), p. 73. 20Canudo, Usine, O..F6t