French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
000146
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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133 68Louis Delluc, "Notes Pour Moi," Le Film no. 125 (5 August 1919) 55° 69canudo, Ysine, p.PPs3. T0see Jean Tedesco, "Etudes de Ralenti," CinéaCiné pour Tous no. 57 (15 March 1926), 11-12, and Jean Epstein, "Le Ralenti," Cinéa-Ciné pour Tous no. 106. (tT oMay 1928), 10, TlyHenri Lamblin, "De la Déformation," Le Rouge et le Noir, Cahier Spéciale (July 1928), 169171. 72Canudo, Usine, p. 42. See also Léon Moussinac, "Technique Commande,” Ga Gazette ges Sept Arts no, 27) neds: 5 12-13, and Pierre Porte, "Cinéma Intellectuel ou Affectif<" Cinéa-Ciné pour Tous no. 61 (15 May 1926), 9-10. T5Epstein, Bonjour Cinéma, p. 94. THIpid., p. 105. Mcanudo, Usine, p. 81. 76Pierre Porte, "Une Loi du Cinéma," Cinéa-Ciné pour Tous no; 9 (15 March 1924), 11. Olapea? 434 78canudo, Usine ,* ppi°23., °° 29-301 79Quoted in TAPLO2464°96% 80Epstein, Le Cinématographe vu de LTetna. op: 59-60; Blaise Cendrars, "Lectures," 11. 8lepstein, Le Cinématographe vu de 1'Etna, p. 24. 82medesco, "Cinéma-Expression," 27. 83epstein, Bonjour Cinéma, p. 33. 84 Ibid., Ps OO 85pulac, "Filmes Visuels," 39; 86Fauré, Fonction du Cinéma, pp. 29-36; Clair, Cinéma Yesterday and Today, pp. 44-5.