French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

191 Frequently, as one: would expect, windows are used in this glance/object editing’ pattern, <In FeuoMathias Pascal, Pascal views an oxcart going by bubetaénend later he looks through venetian blinds into a garden. In le Diable dans la Ville, shots of Mare looking alternate with viewpoint shots through the window frame. More Sbpiking sridd in La Roue is the scene of Sisif watching Norma on the swing: Swiftly alternated close-ups of him watching through the window and of her swinging legs from his Viewpoint convey his falling prey to her attractiveness. In Mauprat, Carnival des Véritiés, Aventures de Robert Macaire, and other films, windows play a similar revelatory role. Logically, sometimes the glance/object editing pattern incorporates a moving-camera shot as its optical point-of-view shot. For instance, in La Chute de ile Madson Usher, shots of an old man looking back down a corridor as he exits are intercut with fast low-angle tracking Shots following leaves blowing toward the door. In Visages d'Enfants, a medium shot of the boy's roaming gaze is followed by a panning point-of-view shot which follows his glances; similar shots occur in Le Diable dans la Ville and Les Aventures de Robert Macaire. Likewise, Bernard's flight from the castle in Mauprat is rendered in alternating Shots of the onrushing grass and trees seen Prom: nis