French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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200 to provide rhythmic material. L'Argent contains several quickly-paced montage sequences of stock exchange activity, built around telephone Switchboards, typewriters, printing presses, and mail-sorting machines. In La Rove, a Lot6émotive provides occasion for several sequences of marked rhythmic editing. The 79-shot sequence of thé "Death of Norma Compound" is a celebrated example. The despairing, half-blind engineer Sisif climbs into the cab of his former locomotive and proceeds to start it down the tracks. As the doecd of the train builds, so does the pace of the editing. First, somewhat lengthy shots of the entire train (e.g., nos..15,.17,.20) atid the track (nos. pe ere are interspersed with quite short shots of Sisif in the cab (nos. 16, 28, 30, 35) and parts of the train C(O geuly NOB Cy Cre Oly Fal Te ee th Bhot number) 37-8 headon tracking shot of the train (24 fr.) that the tempo of the scene accelerates even more and the character's subjective impression of speed becomes even stronger. «In two series of shots (e.g., 40-41-42-43, 45-46-47), Sisif's glances are followed by shots of the anewe mae roughly from his optical view-point. What follows is a crescendo of fast cuttingas the train reaches top speed and smashes into logs piled across the track: