Start Over

French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

53. Landscape whizzes by. 54. Train, head-on. 55’. lei l, stares’. 56. Train, head-on: eH is 3 ee A mB 5 2 My ae yh 9 9 oa 58. Train, head-on. 59. SiBil, staring right . 60. Train, head-on. 61. Sisaf,” Staring. 62. Train, head-on. 63... Sisif. staring. 64. Train, head-on. 65. Sasir, ‘staring, 66. Train, head-on. | 67. Landscapes whiz by. 68. Cab's point-of-view: approaching logs. 69. (1s) Train smashes into logs. 70. Dark, blank, smoky shot. 71. Train smoking at logs. 72. (meu) Sisif tottering in wreckage. AIT NW rR PO RS ONSVPO OO COTO NO AN AW EET oN Vk fr. re ag ge ry, tr’. rr. i a i Sak rr. A gh fr. ri Tr. : i gg ka Ga be ae cr, cr, ri, ch a 201 The dynamic impression of speed is created by the accelerat ed cutting; the progressively shorter shots represent Sisif's experience of the hurtling locomotive and the crasn. The rhythmic possibilities of machines also explain the recurrence of fairs and amusement parks in Impressionist films. Consider, for example, the fairgraound sequence of Coeur Fidéle, which is edited to a vibrant rhythm which suggests the giddiness felt by the young woman riding with the bully: 1. Boyfriend walking away from camera down road. 2. (1s) Fade-in from white: carnival, seen from above. 3. (ms) Woman sitting on bench. 4, (ms) Calliope turning to left. 148 fr, Pe Ee es gah FM igs ge La