French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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202 5. Cen) Piano pod. bi 2 6. (ms) Child with balloons. Le a a {. (ls) Crowd from above. NE il 8. Car on ride whirling past, confetti. ep 9. (cu) Drum. ey. 10. (ms) Merry-go-round, left to right. 4 fr. 11. (cu) Horse's head, left to right. 1 oR, 12. (ms) Four people on merry-go-round. ge 13. (ms) Couple on ride; he kisses her neek,* 69 Tr. . throws more confetti. 14. (cu) Bully shouting, eyes closed. 15. (cu) Woman. 16. Spaghetti pot. 17+ Paano..rol]: on, calliene’, 18. (ls) High angle: fairground. 19. (ms) People on merry-go-round. 20. (ms) Low angle: boats swinging. 21. (cu) Merry-go-round horse. ees DRUM. ae. 9, cO-+ Chae: with balloone. as. 6. 24. (lay Crowd . : 25. (ms) Statue of angel on calliope. 26. (1s) Merry-go-round. of « (Gh). Woman. 68. 15. 20. Lous Buliv. (ae ae 29. (ms) Couple in ear, whirling. 30. (ms) Rotating calliope, moving right to left. 31. (cu) Cookie in shape of pig, hand decorating it with word, "L'Amour." wae ap ag Lie agi Ue ale cae ie rr: Pres ry, Tt: jad SFL EMM MM PM PP MMMU < 3 PO =. B21 MO = ee The extended first shot of the forlorn boyfriend sets off the rapid pace of the fairground sequence, introduced by a long shot of the fair that is only 21 frames long. There follow ten quick shots (all but one of them four frames long) of various aspects of the fair: an old woman, a calliope, a drum, and the merry-go-round. ‘Only after this very abrupt exposition is there a fairly lengthy Shot of the bully and young woman on the ride; this is followed by a short close-up of each one. Then a "reprise" J