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French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Page scan 000273 from French Impressionist Cinema: Film Culture, Film Theory, and Film Style

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
000273
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
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260 Notes 1germaine Dulac, "Lé Cinéma 'Avant-Garde'," in. Henri Mescourt, ed... Le Cinéma (Paris: Ra. du Cyne, 1932), pp. 357-364. Henri Langlois, "L'Avant-Garde FranGaise," Cahiers du Cinéma no, 202 (June-July 1968), 8-18. “Tt is possible that André Antoine's early films (now almost all lost) anticipated some devices of ImpresSionist style. For information on Antoine's career, see Philippe Esnault's interviews and biofilmography in Revue du_Cinéma: Image et Son no. 271 (April 1973), 4-64. PDBu late pi. 359. “See Charles Pathé, De Pathé Fréres a Pathé Ciné ma (Paris: Premier Plan, 1970), passim. See Le Tout Cinéma 1923 (Paris: ME Aina TOD 4) , pp. 538+540. Pierre Leprohon, Jean Epstein (Paris: Seghers, 1954).5\ Di 35" 34, Juan Arpoy, "Abel (\Gance: Sa Vie, Son Oeuvre,"” Cinéa-Ciné pour Tous no. 3 (15 December LORIN S BHO: 8on Delluc's love of Wagner, see Eve Francis, Temps Heroiques (Paris: Denoél, 1949), pp. 22, 248-249. On Wagner's status in Paris, see Evelyn Hurard, "Apercu sur le gout musical 4 Paris en 1913,"-in L. Brion-Guérry, ed., L'Annee 191% (Paris: Klincksieck, 1971), pp. 513-526, Other essays in this remarkable volume offer many insights into prewar French art and aesthetics. 9Francis, Temps Heroiques, pp. 79, 153. 10 sean Epstein, Bonjour Cinéma (Paris: Ed. ‘du Sirene, 1921), pp. 31-387 llhouis Delluc, Cinéma et Cie (Paris: Grasset, | 1eGermaine Dulac, "Chez D. W. Griffith," Cinéa no. 7 (11 October 1919), 15.