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13see La Courrier Cinématographique ie GE ea Fe October 1919), 15.
14See Cinéa no. 11 (15 July 1921), 5.
topagie Delluc, "Les .Cinéastes," Monde Nouveau (15 August-1 September 192 i tL
16Raymond Williams, The Long Revolution (London: Penein go. Oee rs 87’.
1/Louis Lumiére's contributrom to ‘the’ cinema
was well-known in the 1915-1925 period; he became a member of l'Académie des Sciences in 1919 and was honored by a gala banquet:in 1920... The work of his contemporary Georges Méliés, however, was almost totally neglected before
a9 eh when Mé1ias" contributions to the histomyuof ifidm style was finally recognized. See Pierre Henry, "Les Moyens d'Expression Crées pour le: RécitVisuel." CineeCiné pour Tous no. 30 (1 February 1925), 16-19; Benes
Le Film Frangais,".:Cahiers, du Mois no. :16-17 (1925) 195-201; and the Méliés issue of Revue du Cinéma no. 4
(15 October 1925). Hels,
MES bars Cinéma et Cie, p. 119.
19Henri Diamant-Berger, "Du Sang Nouveau," Le Film foe SoCs Apres 19774. (6.
2OQuoted in Georges Sadoul, Histoire Générale du.
Cinema i«Wols ILI, mart “2"Cta Premiare re Guerre Mondiale), (Paris: Denoel, 1962 py Due
2lRené Clair, Cinema Yesterda qe Loday ,)-Craits:. by Stanley Applebaum (New York! Dover, 19757. 128°
22Riecioto Canudo, Usine acs ayoees (Geneva: Office Centrale @' Edit ton, 1927 12
23Quoted: in Jean Mitry, Histoire du Cinéma vol. II] (Paris: Editions Universitaires, 1969), pp. 456-437.
24tpid.
e2See, for instance, Edmond Epardaud, "La Roue," Cinéa no. 83 (12 January 192 a, 6, and Lucien Wahl, "Carnet du Cinégraphie," Gazette des SeptiArtse no“se oe Qiadiig +34 ii aici i a