French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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26canudo, 128; See also CinéaCiné pour Tous no. 26 (1 December 1924), elJean Epstein, Esprit du Cinéma (Paris: Jeheber, 1955), pp. 79-102; Germaine Dulac, “Le Cinéma d'AvantGarde," 357-364. 28rne Standard biographies of Gance are Sophie Daria, Abel Gance Hier et Demain (Paris: La Palatine, 1959), René Jeanne and Charles Ford, Abel Gance (Paris: Seghers, 1963), and Kevin Brownlow, The Parade's Gone By (New York: Ballantine, 1968), pp. 596-651 ip Mech MM into 29touis Vell, Photogenie (Paris: Grasset, 1920) , Det ve bisa i Landry, "Le Simultanéisme," Journal du CinéClub no. 6 (20 February 1920), 12. d1Quoted in Jean Mitry, "Abel Gance Nous Parle du Cinéma," Cinéa-Ciné pour Tous no. 3 (15 December 1923), 52Canudo, 34. d51,é0n Moussinac, "Le 6 pa Cinégraphique,' Le Crapouillot (March 4925), 20 54 Germaine Dulgc,.."Du Sentiment: 4° be Eiene in Germaine Dulac, ed. Schémas (Paris: Imprimateur Gutenberg, 190g) oo 360: 55See Jean Tedesco, “Le Brasier Ardent," Cinéa no. 94 (15 June 1923), 6-9; “Anonymous , "Cinéa Interroge Ivan Mosjoukine," Cinéa no. (94 (15 dine Toes) 4 0453 Canudo, 159-160. 5©See "Coeur Fiddle et lopinion ‘de -la Presse," y2 = . a ar . “yO Cinéa-Ciné pour Tous no. 27 (15 December-1924) , 27-28 d?René Jeanne and Charles Ford . Peape oer eeeye lee pédique du Cinéma vol. I (Paris: Laffont, TORT ES Bere 38 sean Epstein, "Pour une Avant-Garde Nouvelle, Cinéa-Ciné pour Tous no. 29 (15 January, 1925); 27-360. 39 see Marcel Tariol, Louis Delluc (Paris: Seghers, T9065). Pa On.