Start Over

French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

Record Details:

Title:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style
Date:
December 1974
Publisher:
University of Iowa
Volume:
French Impressionist Cinema: Film Culture, Film Theory, and Film Style (Dissertation, 1974)
Leaf #:
000278
Language:
English
Collection:
Global Cinema
Format:
dissertations
Contributor:
Wisconsin Center for Film and Theater Research
Coordinator:
Media History Digital Library
Description:
Doctoral dissertation entitled, "French Impressionist Cinema: Film Culture, Film Theory, and Film Style," by film scholar David Bordwell. Submitted to the University of Iowa in 1974. Document is scanned from the David Bordwell and Kristin Thompson papers, archived at the Wisconsin Center for Film and Theater Research.
Date Added:
May 23, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

60 anaré Obey, "Musique et Cinéma," Le Crapouillot (March 1927), 9. 61 5aque Catelain, Marcel L'Herbier (Paris: Vautrin, £959) 5 pit OG4 62Quoted in Georges Sadoul, Dictionary of Film Makers,trans.by Peter Morris (Berkeley: University of Calafornianbress, 1972). 9, (18h. 63pulac, "Le Cinéma d'Avant-Garde," p. 357. O4nulac, "Du Sentiment 4 la Ligne," pp. 5-7. 65 Jean Epstein, "Le Regard du Verre," Cahiers du Mowe: no. Ost? (1925) 42, 66clair, 104. 67paul de la Borie, "Propos d'Avant-Garde," La Critique Cinématographique II, 43 (17 September cS ey se ae bd 68pelluc, Photogénie, p. 118. 69clair, pp. 25-26. T0Ppaul Ramin, "Pour une Esthétique Intellectuelle du Film," Cinéa-Ciné pour Tous no. 58 (1 April 1926), 13-14. Tlrouis Delluc, "Les Cinéastes," Monde Nouveau (15 August-1 September 1922), 34. 12canudo, ps 44, 73Marcel Zahar and Daniel Burret, "Une Heure chez Mme. Germaine Dulac," Cinéa-Ciné pour Tous no. 63 (15 June 1926), 14, T4Henri Fescourt and J. L. Bouquet, L'Idée et l'Ecran (Paris: G. G; Haberschill and A. Sergent, 1925) fascicule 1, p. 23, MIpid., Faacicule It, pe. 7. 76See Jean Renoir, "Souvenirs," in André Bazin, Jean Renoir (Paris: Editions Champ-Libre, 1971), pp. 143-145,