French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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285 and his image is gauzed-over. After the miraculous appearance of the Christmas tree in La Petite Marchande d'Allumettes, the little girl starts to faint, and her feeling is conveyed by the sudden soft-focus on her face. In La Chute de la Maison Usher, Slow-motion is used to convey Usher's morbid fear, especially in the preparation of Madeleine for burial, when the hammer blows on the coffin and Usher's struggle are given @ ponderous quality by slow-motion. In the same film, the procession and burial are presented in gauzy shots with superimposed Sandles over them, again suggesting Usher's mood. Finally’ in Mauprat, a character's hesitant attitude is conveyed by superimpositions of him backing away in overlapping images. Optical subjectivity. Optical devices often cooperate with subjective angles to indicate physiological conditions like illness, drunkenness, or tears. In La Belle Nivernaise, when Victor recovers from his illness, there is a subjective shot