French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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29d Diamant-Berger, Henri. Le Cinéma. Paris: La Renais=sance du Livre, 1919. Dulac, Germaine. Germaine Dulac Présente: Schémas. Paris: Imprimateur Gutenberg, 1927. Epstein, Jean. Bonjour Cinéma. Paris: La Siréne, £921. Le Cinéma du Diable. Paris: Editions J. Mélot, 1927. ee Le Cinématographe Vurde Deena. Pardes Les Ecrivains Reunis,: 192 -« ‘Esprit du Cinéma: | Paris: Editions Jecheber,.1955. L'Intélligence d'une Machine. Paris: Editions ds M@lot, 1947. Le LYPOsOgn.e.: Paris: La Sivene.) 1922, ee La Poésie d'Aujourd'hui:. Paris: La Si rene, 1921. Fauré, Elie. Fonction du Cinéma. Paris: Gonthier, 1963. Fescourt, Henri. La Foi et les Montagnes. Paris: Paul Montel, 1959. Fescourt, Henri, and Bouquet, Jean-Louis. L'Idée et.i'Bepan: Opinions: sure, Cinéma. | Voie. trotde) Paris: Gr Haberschil.1) and; As.Sergent, 1925-1926. Francis, Eve. Temps Héroiques. Paris: Denoel, 1949. Gance, Abel. La Beauté 4 Travers le Cinéma. Paris: Institut General Psychologique, 1926. Prigme., farses Ne Rucws yg 10504 11° BavRoue, Bditeduwhy Jean Arroy. Faris: Editions Jules Tallandier, "Cinéma Bibliothéque, 1950. '"