French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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a4 "Le Cinéma, Art Objectif ou Subjectire" Cinéa-Ciné pour Tous no. 69 (15 September 1925), 25-20. Ns "Cinéma Intellectuel au Affectif?" CinéaCine pour’ Tous no. 61 (15 May 1926), 9)10. . "Le Cinéma Pur." Cinéa-Ciné pour Tous no. 52) 1 January) 1926)" Ta-T3, -. "Faisons le Point," Cinéa-Ciné pour Tous no. 49 (15 November 1925), 9. Ne "Un Idéal." Cinéa-Ciné pour Tous no. 41 Pe eee our LEO R yg: ~ 0 Une Loi," Cinéa-Ciné: pour Tous no. 9 C75 March 1924). 7e"Une Loi du Cinéma." Cinéa-Ciné pour Tous ro. 8 (1 March 1924), 8-9. "Une Sensation Nouvelle." Cinéa-Ciné pour tous’ no.64 2 Tulgy 1926) ,° 27-28% "Textes et Images." Cinéa-Ciné pour Tous . 79 (15 February 1927), 14-15. ad Ramain, Paul. "A la Recherche de 1'Emotion Vraie." Cinéa-Ciné pour Tous no. 71) (15) Cecoper. 1o25), 15, "De la Construction Thématique des Films." Cinéa-Ciné pour Tous no. 44 (1 September 1925), 9-11. "Le Film Peut Traduire et Créer le Réve." Canéa-Ciné pour Tous no. 67 (15 August 1925), 1114, "L'Influence du Réve sur le Cinéma." Cinea-Ciné pour Tous no... 40 (1 July.1925), "Pour une Esthétique Intellectuel du Film." ~~ Cinéa-Ciné pour Tous no. 56 C1 April 1926) 5°14.