French Impressionist Cinema: Film Culture, Film Theory, and Film Style (December 1974)

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507 C. Special Issues of Journals "Le Crapouillot Parle du Cinéma." Le Crapouillot (March 1920). "Le Cinéma." le Crapouillot (16 Mareh 192 59; "Le Cinéma." Le Crapouillot (November 1942), IIIT. General Works Agel, Henri. Miroirs de 1'Insolité dans le Cinéma Fran cais. Paris: Editions du Cert, ioe Arnoux, Alexandre. Du Muet au Parlant. Paris: La Nouvelle Edition, 1946. | Amengual, Barthelemy. Rene Clair.” Paris: Seghers, 1969. Bardeche, Maurice and Brasillach, Robert. Histoire du Cinéma. Paris: Sept Couleurs, 1961. Blumer, Ronald. "The Camera as Snowball." Cinema Journal IX, 2 opm iin TO70) 513 Oe : boet, (Plerre. ' Le Cirque et le Music-Hall. Paris: Au Sans Pare |. .1937. Brownlow, Kevin. The Parade's Gone By. New York: Ballantine, 1969. Brunius, Jacgues B. fr Marge du Cinéma Frangais. Paris: Arcanes, 1954, Burch, Ndel. Marcel L'Herbier. Paris: pephers; 1973. Theory of Film Practice. New York: Praeger, 1973. Coissac, G. Michel. "L'Evolution du Cinématographe et la Réalisation de Quelques Grands Films." Le Tout Cinéma 1929. Paris: Publications '"Filma,” 3990, BD. ee 52. Crespell, Jean-Paul. La Folle Epoque. Paris: Hachette, 1968. Hi