Documentary film : the use of the film medium to interpret creatively and in social terms the life of the people as it exists in reality (1963)

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ACKNOWLEDGEMENTS For the reproduction of still-photographs used to illustrate this third edition, acknowledgements and thanks are paid to the following: i . British Film Academy, British Gas Council, Cinematheque Francaise (Paris), Dansk Kulturfilm (Copenhagen), H.M. Stationery Office, Mexican Government, Museum of Modern Art Film Library (New York), National Board of Review (New York), National Film Board of Australia, National Film Board of Canada, National Film Library, Society for Cultural Relations with Soviet Russia, Soviet Film Agency, United Nations Film Board, United States State Department. 2. The Central Newsreel Studios (Moscow), Colonial Film Unit, Crown Film Unit, Film Polski (Warsaw), Kratky Film (Prague). 3. American Documentary Films Inc., British Instructional Films Ltd., British Movietone News Ltd., British Paramount News Ltd., Contemporary Historians Inc., Documentary Unit, India, E.P.I., Film Documents Inc., Films Internazionale, Robert J. Flaherty Productions Inc., G.-B. Instructional Ltd., G.-B. Picture Corporation Ltd., Green Park Productions Ltd., International Realist Ltd., March of Time Inc., Neofilm, Nerofilm, Paramount Picture Corporation, Pathe Newsreel, J. Arthur Rank Organisation Ltd., Realist Film Unit Ltd., R.K.O. -Radio Pictures Inc., Societe Generale de Films, Sol Lesser Productions Inc., Strand Film Co. Ltd., Svensk Filmindustri, 20th Century-Fox Inc., Universalia Films, World Wide Pictures Ltd. We are also indebted to Messrs. Collins Ltd., the publishers of Grierson on Documentary, and to its editor, Mr. H. Forsyth Hardy for quoting passages out of that work. 4i